{"product_id":"composition-39","title":"COMPOSITION 39","description":"\u003cspan style=\"font-size: 12pt;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'times new roman', times, serif;\"\u003eComposition 39 \u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 12pt;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'times new roman', times, serif;\"\u003e FENEHARI Sarah\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'times new roman', times, serif; font-size: 12pt;\"\u003e 2019\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'times new roman', times, serif; font-size: 12pt;\"\u003e Height: 20cm – Width: 20cm \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'times new roman', times, serif; font-size: 12pt;\"\u003e\u003cspan style=\"font-family: 'times new roman', times, serif; font-size: 12pt;\"\u003e Acrylic on canvas, resin \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cp class=\"MsoNormal\" style=\"margin-bottom: .0001pt; line-height: normal;\"\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/p\u003e\u003cp class=\"MsoNormal\" style=\"margin-bottom: .0001pt; line-height: normal;\"\u003e\u003cb\u003e\u003cu\u003e\u003cspan style=\"font-size: 12pt; font-family: 'Times New Roman', 'serif';\"\u003eARTISTIC APPROACH:\u003c\/span\u003e\u003c\/u\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 12pt; font-family: 'Times New Roman', 'serif';\"\u003e\u003cbr\u003e \u003cbr\u003e \u003ci\u003e                                        “Remember that a painting, before being a warhorse, a nude woman, or any anecdote, is essentially a flat surface covered with colors assembled in a certain order.”\u003c\/i\u003e\u003cbr\u003e                                                        \u003cb\u003e Maurice Denis, Art et Critique, article, 1890.\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 10.5pt; font-family: Verdana, 'sans-serif';\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/p\u003e\u003cp class=\"MsoNormal\" style=\"text-align: justify; line-height: normal; margin: 5.0pt 0cm 5.0pt 0cm;\"\u003e\u003cspan style=\"font-size: 12pt; font-family: 'Times New Roman', 'serif';\"\u003eFENEHARI Sarah's work focuses on creating immersive sensory experiences between the viewer and the chromatic universe she deploys through her works.\u003cbr\u003e Her compositions aim to free color from any figurative representation, allowing for direct and pure interaction. In this dialogue, color becomes a living material, an echo of nature in its most essential dimension: the vibration of light on water, the transparency of foliage permeated by the sun, the density of a heavy sky... Her works do not seek to reproduce nature, but to reveal its sensitive energy, its invisible force.\u003c\/span\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/p\u003e\u003cp class=\"MsoNormal\" style=\"text-align: justify; line-height: normal; margin: 5.0pt 0cm 5.0pt 0cm;\"\u003e\u003cspan style=\"font-size: 12pt; font-family: 'Times New Roman', 'serif';\"\u003eFENEHARI Sarah is interested in how the spectators' imagination manifests itself in the face of these color fields. Some project forms onto them, as an attempt at anchoring or understanding, while others surrender to the experience, accepting color as one accepts the presence of a landscape: an immersion that is lived rather than described.\u003cbr\u003e It is in this apparent simplicity that the greatest complexity lies. Naming her works \"COMPOSITION\" suggests both an inner construction and an openness: a space of interpretation where the spectator regains the freedom to perceive color as a natural element, a raw material that connects them to their own imagination, but also to the environment around them.\u003c\/span\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/p\u003e\u003cp class=\"MsoNormal\" style=\"text-align: justify; line-height: normal; margin: 5.0pt 0cm 5.0pt 0cm;\"\u003e\u003cspan style=\"font-size: 12pt; font-family: 'Times New Roman', 'serif';\"\u003eThe techniques used by the artist aim to minimize any visible trace of her intervention. Her creative process is deliberately erased, making it almost impossible to guess the origin, steps, or tools used for its realization. This absence of technical signature acts as an analogy with nature itself: everything seems to \"go without saying,\" without always revealing the forces at play.\u003c\/span\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/p\u003e\u003cp class=\"MsoNormal\" style=\"text-align: justify; line-height: normal; margin: 5.0pt 0cm 5.0pt 0cm;\"\u003e\u003cspan style=\"font-size: 12pt; font-family: 'Times New Roman', 'serif';\"\u003eThus, the work exists by itself, as an autonomous presence, between the silence of materials and the attention of the spectator. It lies at the border between art and nature, not in reproduction, but in the experience of a chromatic living being that breathes and evolves in the eye of the beholder.\u003c\/span\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/p\u003e\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 105%; font-family: 'Times New Roman','serif';\"\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/p\u003e","brand":"FENEHARI Sarah","offers":[{"title":"Default Title","offer_id":52216553767249,"sku":null,"price":110.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/6337\/4161\/files\/k4cVXNY2PW.jpg?v=1761647260","url":"https:\/\/www.ammcouture.com\/en\/products\/composition-39","provider":"AMM Couture","version":"1.0","type":"link"}